ABOUT JAAP

Jaap Leegwater started his dance career in his native country, The Netherlands, where he earned degrees in both education and international folk dance. Fascinated with the irregular Balkan rhyhms and drawn to the expressiveness of its movements, Jaap specialized in Bulgarian dance and choreography. In 1969, he was one of the first non-Bulgarians invited to study at the State Choreographer’s Schools in Sofia and Plovdiv, Bulgaria.

In cooperation with the Dutch Ministry of Culture and the Bulgarian Center for Amateur Art, he carried out research on village dances in the different ethnographic regions and on the teaching of Bulgarian folk dance in the country’s educational system. During his frequent trips to Bulgaria, over a period of 30 years, Jaap collected and recorded many original dances and songs learned from older people in many villages throughout the country where folklore traditions are still a way of life. In addition Jaap participated in the rehearsals with several dance ensembles, both amateur and professional, and studied with some of Bulgaria’s best folklorists and choreographers.

​These activities don’t just belong to the past. Jaap still travels to Bulgaria annually, reflecting his continued involvement in following the developments of the country’s folklore and dance scene. As a result, the material Jaap collects comes a variety of sources ranging from village settings to dance styles of the performing arts. This gives him the experience and flexibility to gear his teachings, repertoire and format toward the specific educational and artistic needs required of a diverse mix of groups and settings.

DANCE INSTRUCTOR AND CHOREOGRAPHER

Mr. Leegwater was first introduced to the American folkdance scene by the late Ciga Despotovic in 1980. He gratefully recognizes the support and inspiration received from Marianne and Michael Herman, Dennis Boxell and Yves Moreau in establishing himself in Northern America professionally.

For the past 30 years Mr. Leegwater has conducted workshops and dance seminars in various countries: The Netherlands, Germany, Switzerland, Sweden, Israël, England, United States, Canada, Japan, Taiwan, and Hong Kong. He is a regular instructor at many major dance camps and organizations including Maine Folk Dance Camp, Stockton Folk Dance Camp at the University of the Pacific, Mendocino Folklore Camp, the EEFC Balkan Music and Dance Camp, Kolo Festival, in San Francisco, Texas Folk Dance Camp, New Mexico August folk dance Camp, Santa Barbara Folk Dance Symposium, Montreal International Folk Dance Camp, Ontario Folk Dance Camp and the Bulgarian Festivals in Vancouver, B.C.

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Video: Jaap and Mea teaching in Stockholm

Back in The Netherlands Jaap got involved in setting up and running Bulgarian Dance Taverns very much like the Tanzhause approach in Hungary, where people can meet, eat, drink and dance without having to take classes or having to have any formal dance training. Live music is provided by both Dutch musicians specializing in Bulgarian folk music and Bulgarian musicians often found playing for tourists on the streets in downtown Amsterdam.

The program consists of “generic and pan-Bulgarian” dances, or as they say in Bulgarian: “megdanski svatbarski hora” This has been a very successful concept bringing together the Dutch recreational folkdancers and people from the Bulgarian immigrant community in Holland. (see Bulgaarse Dans Taverne at http://www.zajednica.nl). Some of the most popular dances have been recorded recently and will be released on a new CD called “Kusmet and friends” featuring the Dobrudzan singer Galina Durmushliyska.

​Jaap holds an M.S. in Counselling Psychology from California State University Sacramento.  After a successful stay of 16 years in the United States Jaap returned to the Netherlands in 1999, where he now lives with his son Lubomir and continues to combine his dance teaching career with a practice as a consultant in multicultural counseling and education.
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full bio from 
​https://lyridsfolkdancefestival.org/jaap-leegwater/

Jaap and Mea performing during a 2019 workshop at Surrey High School for Performing Arts, Surrey, British Columbia, Canada

Jaap's website: 
http://www.jaapleegwater.com

​Mea's website: 
http://www.meadans.se

 

ABOUT MEA

Mea has been working for more than 30 years in dance, both with children and adults, and her fields of expertise extend from kindergarten and schools to elderly care and rehabilitation. She grew up with international folk dancing, as her mother was one of the founders of the Internationella Folkdansklubben (International Folk Dance Club) in Stockholm, Sweden. She spent much of the 1980s broadening her knowledge, traveling extensively as a student to various dance classes throughout Eastern Europe, and today she teaches folk dance often. Her teaching experience ranges from regular dance classes to a large number of weekend courses around the Nordic region, focusing mainly on dances from Eastern Europe and Asia. 

Since 2001 she has worked with people with deafness and/or blindness, spanning both educational and therapeutic purposes. Deaf-blindness is a combination of sight and hearing impairment that affects how one communicates, accesses information, and gets around. She has been a dance therapist in special housing for people with deaf-blindness and other disabilities in Stockholm since 2006, and in 2019 she extended this part of her work in cooperation with a second establishment, the Resurscenter Mo Gård (Mo Gård Resource Center) in Sweden.

From her extensive experience Mea can confirm that Dance Therapy has a lot to offer, particularly to older people and people with dementia. The aim is to give participants more opportunities to be expressive and have contact, interaction, and communication with others. It is very important for these groups of people to have access to a playful, flexible, and tolerant atmosphere, making use of their creative resources. Dance Therapy by nature is supportive and affirming: it wakes up and vitalizes the body, it creates a sense of joy and fellowship, and its expressiveness complements all forms of communication. If you would like to learn more, click here to read a study she published on the numerous positive effects of Dance Therapy on the deaf-blind.

Mea leading the warm-up for a 2019 workshop at Surrey High School for Performing Arts, Surrey, British Columbia, Canada

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"DANCE IS THE BODY’S LANGUAGE WHERE RHYTHM, TIMING, SOUND AND SONG BECOME A UNIQUE COLLABORATION BETWEEN BODY AND MIND. IN DANCE, I USE MY BODY AS A SENSITIVE INSTRUMENT WHERE RESPECT AND LISTENING PLAY A BIG ROLE. DANCE GIVES PLEASURE, JOY AND FELLOWSHIP."
​—MEA NORDENFELT 
​(ORIGINAL/TRANSLATION source)

Video: Jaap and Mea at the Bulgarian Dance Taverna